A classic 911 coming apart into peach, mint and lavender, dripping onto the floor. The piece most likely to divide a household.
- Edition
- 1 of 99
- Sizes
- 20 × 15″ – 64 × 48″
- Frames
- Oak, White, Black, None
- From
- $79

A serious car behaving badly
Car art has a taste problem. It's overwhelmingly reverent — the machine as an object of worship, shot in the rain at golden hour. Reverence is fine, but a whole wall of it starts to feel like a showroom.
This goes the other way. The silhouette is precise enough that the generation is obvious. The surface has abandoned its job entirely: glossy pastel runs down the panels, gathers at the sill, and drips off onto the ground.
The joke is affectionate. It takes an object famously about restraint and engineering discipline and lets it lose composure. You need to like the car to find that funny, which is the point.

Where it goes
Where it struggles: a dark, moody room. The colours have no ground to sit against and the drips lose shape. That room wants Shady Porsche — the same subject in the opposite key.
Size and frame
Colour rewards scale more than monochrome does — small, the melt reads as a smudge rather than a deliberate collapse. 40 × 30″ is the one to buy for most living rooms and offices. 64 × 48″ for a feature wall.
Frame it white or oak. White disappears and lets the colour be the only thing you see; oak picks up the peach and yellow and stops it feeling clinical. Unframed is strong here — with no border the drips look like they're running onto your wall.
Hangs beside
Questions
Is the car actually recognisable?
Yes. The silhouette is intact and precise; it's the surface that's been abandoned. Anyone who knows the shape will name it immediately.
Will the colours date?
Pastels move in and out of fashion faster than monochrome — an honest caveat. What keeps it from ageing is that the subject underneath is a fifty-year-old shape. The palette is of a moment; the car isn't.
Too playful for an office?
Depends whose. In a founder's office it reads as someone confident enough not to hang a mountain and the word PERSEVERANCE. In a law firm, probably not.
What's the edition?
99, like everything we make. Once it closes, it closes.



Pop Purple PorscheSame family, same irreverence. Two is a statement; three is a theme.
Pop LamboOrange, loud, Italian. The palettes talk without matching.
Vitamin C-LPSurreal, automotive, orange. Sits comfortably alongside.